Nobody would argue with the statement that she is the greatest American actress of the last fifty years. This was the first of at least thirty major award nominations she would eventually receive. She was nominated for a Tony Award for best featured actress in a play. From the first second there was no question that she would be offered the part, so the four of us just sat there and enjoyed her performance. She was funny, sexy, teasing, brainless, vulnerable, and sad, with all the colors shifting like mercury before our eyes. You could barely detect the moment when she slipped out of her own character and into the character of Baby Doll, but the transformation was complete and breathtaking. Reading with an assistant stage manager, she began a scene from 27 Wagons Full of Cotton. As she made small talk with Arvin about the play and the character, she unpinned her hair, she changed her shoes, she pulled out the shirttails of her blouse, and she began casually stuffing Kleenex into her brassiere, doubling the size of her bust. She carried a second pair of shoes and a box of Kleenex. For her audition she wore a nondescript skirt, blouse, and slip-on shoes. When she walked in, I greeted her warmly, introduced her to the other three directors, then sat down beside them behind a table and witnessed a little piece of theater history. Since I was one of the four Phoenix directors that season, I was there for her audition.
Word had gotten around about the terrific young Yale Drama School girl who had fared so well in Trelawny of the “Wells” at Lincoln Center.
He needed to find a sensational young actress to play the bravura role of the voluptuous, dim-witted Baby Doll. The one-act was to be directed by my old Long Wharf boss Arvin Brown. This was the three-character play from 1955 that eventually evolved into the notorious film Baby Doll. In his autobiography, actor John Lithgow fondly remembered Meryl Streep’s audition for “27 Wagons Full Of Cotton”: “Of the three shows being produced, one was an evening of two one-acts that included Tennessee Williams’ 27 Wagons Full of Cotton.
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